#idéesdébats 2024-2025 - Inhabiting, really?

Inhabiting, really?

Are we experiencing a housing crisis?

Beyond the - acknowledged - housing crisis, the ways in which we inhabit the earth have become problematic. The Anthropocene has yet to deliver its verdict, but it's forcing us to think afresh about dwelling: what is its ecosystem, and with whom are we actually living? How do we represent the home, the outside, private, public, intimate and extimate spaces?

While we can now see the limits of our desire and plans to master and control the living world, our fantasies in this area remain as powerful as the desire to monitor our lives, with artificial intelligence and digital ecosystems called in to help where necessary.

Questioning our human condition calls for the mobilization of scientific and artistic perspectives, inviting the powers of analysis and expression of historians, geographers, anthropologists, stage directors and writers. The result could be a whole new way of looking at things, and a whole new way of living! Inventing other ways of living may involve paying attention to the present, without gambling on the needs of future generations, and taking new care of things, through disengagement rather than mastery?

Tuesday 8 October 2024 - Theatres of the world, the makings of nature in the West

With Frédérique Aït Touati

For some decades now, philosophers and anthropologists have been asserting that ‘nature is no longer a setting’. But how was it conceived as such - the immobile framework for human action? The Earth remains elusive without the tools, images and narratives that we are constantly creating. We can now try to interpret them, not as the cause of our ‘anthroposcenic’ excesses, but as small, enclosed worlds in which to attempt to inhabit the chaos of the world. In her latest essay, Théâtres du monde, Frédérique Aït Touati examines the fabric of our modern conception of nature as a stable, fixed stage on which the human comedy is played out.

Frédérique Aït-Touati is a stage director and science historian. A researcher at the CNRS, she is interested in the links between science, art and politics.

Moderated by Xavier Fouquet

Tuesday 12 November 2024 - The world is vulnerable, how do we take care of it?

With Michel Lussault

The widespread urbanization of the world has taken hold since the 1950s, with particularly impressive momentum after 1950. In just a few decades, the "urban revolution" has profoundly transformed the Earth, societies, individuals, and their ways of living, to the point of becoming a vector of climate and ecological upheavals that clearly threaten the human habitability of the planet.

How can we face this unprecedented challenge in human history? Is it possible to invent entirely different ways of cohabiting—between humans and with non-humans—that would allow us to maintain and even repair this habitability? To achieve this, why not seek inspiration from care theories applied to our living spaces?

This is the reflection on which Michel Lussault and Laurent Devisme will focus.

Michel Lussault is Professor of Geography at the University of Lyon (École normale supérieure de Lyon), and a member of the Environnement, Ville, Société laboratory (UMR 5600, University of Lyon/CNRS).

Tuesday 10 December 2024 - The housing machine

With Gwenola Wagon

In this first quarter of the 21st century, living is a problem, in both senses of the word: living at all, as much as living somewhere. This is the story of Max and Norma, who, like other coastal dwellers, have had to abandon their waterfront home. They've founded a new kind of real estate agency: they've become agents for imaginary homes generated by AIs, and their screens are the most intimate of housing machines. Are the images generated enough to realize their dreams of living? Can we find our own space in a latent space?

Gwenola Wagon is an artist and researcher. She teaches at the Sorbonne School of Arts and the University of Paris 1. Through installations, films and books, she imagines alternative and paradoxical narratives for thinking about the contemporary digital world. She investigates the space of hyperinformation and Internet infrastructures in collaboration with artist Stéphane Degoutin, with whom she has co-produced numerous pieces, including Cyborgs dans la brume and World Brain, the book Psychanalyse de l'aéroport international. After Erewhon and Virusland 2020, two post-cybernetic fables, she co-directed with philosopher Pierre Cassou-Noguès the film Anarchives du feu and the book Théorie-fiction des AI génératives, soon to be published by UV, which includes the story of Max and Norma.